No film has affected me this year quite like Like Crazy... go see it.
Interview: 'Like Crazy' Director Drake Doremus on Filming Romance [FirstShowing.net]
Young Hollywood: How 40 became the new 30 for actors [Slate]
The average age of female Oscar winners, after remaining steady for almost half a century—40 in 1960s, rising slightly to 41 in 1970s, 41 again in 1980s, 40 in the 1990s—in the 2000s dropped to 35 for the first time, pulled down by wins for Charlize Theron (28, Monster), Reese Witherspoon (29, Walk the Line), and Natalie Portman (29, Black Swan). And those are Oscar wins, not nominations, the culmination of careers, not their beginnings.
Interview: 'Happy Endings' producers David Caspe and Jonathan Groff talk Halloween, friendship and more [HitFix]
Caspe offers an honest, interesting perspective on the similarity among shows premiering at the same time: Obviously, when I pitched the show, all those others were being sold simultaneously. None of us were aware of each other. I know that from the outside, some of the reception was, "Oh, that's the thing to do this year," but that's not how it works. I was completely in a vacuum, and unaware of what's being pitched, and the people on those other shows were the same way. So not until things start to air did I realize, "Uh-oh, there's like 5 or 6 of them coming out." Then there is the concern, especially because we aired last, I believe. If you count 'Mad Love,' 'Perfect Couples,' 'Traffic Light,' only 'Friends with Benefits' came on after us. I felt the writing on the wall and felt we were going to have a tough road. I didn't quite realize how tough it would be, and some of that's my inexperience in television. And then there were some things that I kind of wasn't aware of. I thought a guy getting left at the altar to start a show was an interesting way to start a pilot, and I think people felt it was too similar to Jennifer Aniston's character running away from the altar. To be honest, I haven't seen the pilot of "Friends" in a long time and didn't realize that similarity. Once one thing went against us, everything looked even worse. I look like I ripped a show off even more. But it is what it is, and we just keep plugging away and trying to make funny shows.
Producers and Executives at Odds as the Sweet Studio Deal Dies [THR]
The State of the Studio Deals: Who's Doing What Where [THR]
The Script Writer for 'Anonymous' Defends His Controversial Movie [The Atlantic]