Saturday, October 31, 2009

Schmoozing the assistants?

Jennifer writes: One of my instructors at UCLA Extension told us the best way to get get staffed on a show these days (if we don't yet have an agent) is to try and get in good with the assistants on various shows, so they'll read our material and if we're lucky, pass it on to their bosses. He said this is probably a more helpful and productive route than trying to land an agent first to get us a job second.

What are your thoughts on this from your experience? And if you agree that "getting in" with the assistants is the best way to go, how in the world do you go about doing that? Start cold calling or emailing them from some production company staffing lists that exist somewhere?


Networking is definitely important, but I think there's some flawed logic in your teacher's advice. Why would those assistants want to help you? Don't you think that they are aspiring writers too, and want to use their positions to get their own writing opportunities? Their bosses are too busy to read a million scripts by aspirers...so I bet the one script that gets handed over will be written by the assistant. Besides, you're asking for a favor that you have no right to be asking for.

Instead, focus on making FRIENDS. Cultivating RELATIONSHIPS. People want to help their friends, not random cold callers.

As for getting staffed - if you can't find an agent yet, I would recommend you become one of those assistants on a show, at a production company, etc. I realize it's hard - and you may have to be another kind of assistant first (PA, office PA, agent assistant, manager assistant, etc) - but being a showrunner assistant or writer's assistant can be a path to getting a freelance episode, and then getting a staff gig. It doesn't happen for everyone, and it doesn't happen on every show, but I have seen it work for some people. And even if you don't get a script or get staffed, you'll still be learning about the craft and meeting professional writers who may be able to give you notes or, if they like your work, refer you to their agents.

Related posts:
That Guy
Favors, Cahones, Contests
Respectful Networking


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Tuesday, October 20, 2009

Upcoming WGA events

Make sure you're checking the WGA website I have linked on the right for cool panels and events (here's their calendar). There are too many for me to feature them all, but they're a great opportunity to hear from writers you admire!

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Monday, October 19, 2009

Advice from Carter Bays

Really enjoyed the 826LA panel last night. I'm generally kind of sick of panels, because it's either really basic advice I've heard a million times (like "write every day" and "try to get a job on a show"), or it's really upper level stuff I can't relate to (like "ugh, it's so hard when your quote drops from a million to half a million"). This panel was a nice medium, since the panelists treated us like we were beginners, but we knew what we were talking about.

When asked if new writers should try specs or pilots, Carter said he didn't think it really mattered. You just have to "make people laugh." Putting your stuff on the Internet might also be a good idea; he said that he hasn't hired anyone off a YouTube clip yet, but you never know.

He also stressed that with writing pilots, you should go for a show you're passionate about - and something that can generate 100 stories you'll want to write.

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Thursday, October 15, 2009

Thrifty Thursday: Entertainment Weekly

I'm not making money off this or anything...but I thought you guys might want to know that you can get Entertainment Weekly for $10 a YEAR at this site. I've always found it to be a fun mag if you're a fan of all things TV & film. Just the right amount of snark.



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Colleges with Good Screenwriting Programs

Tobie writes: I was wondering if you could tell me what colleges have good screenwriting/playwriting courses?

Here is a list of schools that I know people have enjoyed and/or resulted in them coming to LA and getting a job in Hollywood. I'm sure there are others out there; feel free to comment. Definitely give prioirty to any school in LA (or that has a LA semester program), since that allows you to do really valuable industry internships while you're still in college. (Any schools in NY also would be attractive for internship possibilities.) Note that just because a school has a screenwriting or playwriting program doesn't mean it has any connection to Hollywood. If you really want to pursue this as a career, you need to study craft AND the business of it all.

Ithaca (I went here and it led to me studying in LA and ultimately moving here)
Boston University
Emerson
Northwestern
UCLA
USC
Chapman
Syracuse
University of Miami
UT Austin (one of few public schools with an LA semester program)
NYU
Notre Dame (not sure about their programs, but I have a bunch of friends who work in Hollywood who went here)
Yale (same as above)

Keep in mind that being a screenwriter or TV Writer doesn't require a degree (but if it's the only thing that really interests you, I say go for it.)

You could also attend a different school and then study in LA through a school that does have a program here.

Related posts:
Is TV School Worth It?
Grad school? UCLA Extension?
Getting a Head Start


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Wednesday, October 14, 2009

CW Unveils Drama Slate

Per Variety: CW Unveils Drama Slate. Is it wrong that I want to watch all of these shows?

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Monday, October 12, 2009

TV Writer Panels Benefitting 826LA

826LA Adult Writing Seminar Series: TV Writing! A Four-Part Miniseries

Sundays, October 11, 18, 25 and November 1 at 7:30 p.m.

826LA East
1714 W Sunset Blvd
LA CA 90026
(213) 413-3388

Join us in a panel discussion with professional writers from some of the best programs currently on TV. Our hilarious panelists will discuss such topics as creating one s own work vs. staff writing, business vs. art (and whether it s always a vs situation), long days, stale jokes, breaking new ground, and the looming threat of new media. Panelists will also answer your questions and give tips for breaking into the business.

$25 per installment or $100 for the full miniseries
Tickets prices are non-refundable. All proceeds go to 826LA.

For a limited time get $10 off one installment (of your choice) or 25% off of the entire series (it's like getting one free!).

826LAML01 to get $10.00 off of one installment 826LAMLA01 to get 25% off the entire mini-series.

Click here to purchase tickets.

Each seminar will feature 3 - 4 writers and, in some instances, include an industry executive. All panels moderated by Ben Blacker.

October 18, 7:30 p.m.
Carter Bays
Samantha McIntyre
Warren Bell
Sam Register
David Schulner

October 25, 7:30 p.m.
Chrissy Pietrosh & Jessica Goldstein
David Slack
Jerry Stahl
...To be continued

**About 826LA**

826LA
info@826la.org
www.826la.org

826LA West
685 Venice Boulevard
Los Angeles, CA 90291
310.305.8418

826LA East
1714 W. Sunset Boulevard
Los Angeles, CA 90026
213.413.3388

826LA is a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write. Our services are structured around the understanding that great leaps in learning can happen with one-on-one attention and that strong writing skills are fundamental to future success.


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Friday, October 9, 2009

Thursday, October 8, 2009

Thrifty Thursday: DineLA Restaurant Week

DineLA's Restaurant Week offers specially-priced lunch and dinner menus at restaurants all across LA. I had some delicious salad, pasta, and chocolate cake (you can never go wrong when the word "decadence" in the name) at Taste today. Check it out!

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Tuesday, October 6, 2009

Industry vs non-industry jobs

Elyse writes: I’m moving to LA in February, and I’m looking for some employment insight. Since you’ve gone from an industry to non-industry job, you seem like a good person to ask. I have basically two options:

1. Since my goal is to eventually work as a TV writer, it seems like a no-brainer to take whatever industry job will have me, and make some solid contacts while I pay my dues and learn the ins and outs of the business.

2. Obviously my goal is to leave my current career (copywriter). But in light of how the economy’s been tanking, it almost seems like a more even-handed approach to nail down a job in my current field, then write/network like crazy/take some classes/hunt for a less-than-terrible industry gig in the off-hours. I know that in a lot of ways, this plan is a far cry from the first-hand experience I’d get as an assistant – but, since I can’t afford to go potentially months without paid work, I do want to be realistic.

As someone who’s been on both sides of the equation and actually lives in LA, what would you recommend? I’m stumped.

Good question. I would read through my old posts about the Job Search for more. Here's the thing: right now, you are an outsider. And in order to be a successful writer, you have to get on the inside somehow. Some people sort of slip inside by winning the ABC/Disney or Nicholls Fellowship, or they might have strong connections through their family. But the vast majority of us can't expect to be successful this way. I recommend that people get industry jobs so that they can become insiders. Make connections. Learn how it all works. Meet friends who will champion their writing. Without that, you're kind of doomed.

I don't work in the industry anymore, but I did for 2-3 years. Without the information I learned and the contacts I made, I don't think I would be equipped to forge ahead in my career.

For you personally, you don't really have to decide right now. Save some money and move to LA. Once you're here, try to get an industry job. If that doesn't work, at least you have your copywriting skills to fall back on.


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Plugging Along

I'm thinking about starting a novel, so I looked to some old pieces for inspiration. Do you guys ever do that, read through your old stuff? I guess it's probably a form of procrastination (and narcissism), but you never know what might trigger an idea. This is an old piece I wrote when I was 18 that I still kind of like.


Plugging Along


I press my nose up against one of the narrow windows beside the front door. My vision blurs orange; the windows are decorated with smooth little pumpkin clings. Stickees, that’s what my mom called them. As a kid, it was always my job to arrange them, and I took pride in my creative responsibility. I carefully considered the pattern, the pumpkin-to-bat ratio. This was my domain. I pull back my skin from the cold glass and look at the patch of steam I’ve made. Pumpkins in the fog. In a moment my art disappears and all that’s left is someone else’s stickee arrangement.

I hear the whirr of a car motor and through the orange and black I see Alice pulling into the driveway. I shut the door behind me on my way across the porch, the soft soles of my blue Roos tapping down the concrete steps. I’m thankful that the afternoon’s crisp October air is still comfortably cool. Autumn is a short, delicate season in Buffalo; the trees bloom red and gold just before the winter snow wipes the canvas white. I remember trick-or-treating one snowy Halloween, my gypsy costume hidden under a scarf and coat.

“Deeeelia,” Alice says as I sink into the cushy maroon seat of Fred, her navy blue ’94 Buick LeSabre. She’s stretched out confidently, right fist pushed up against the steering wheel, left elbow propped against the window. She’s wearing her usual faded Gap jeans and popped-collar Ralph Lauren polo, clothes you might expect on an SUV driver, but Fred’s a close friend of hers; she wouldn’t go anywhere without him. He’s in decent shape considering the wood-paneled dash reads 110,269, and for the sake of Alice’s well being I hope Fred plans to make it at least another 100,000.

“What’s up?” I ask as her flip-flopped foot hits the gas and we wind our way out of my suburban subdivision. The sun is fading in and out of the clouds.

“Not much, not much,” she says.

“Glad it’s Fall Break?”

Her head jerks to my side and her blue eyes widen. “Uh, yeah!”

With Alice in Ohio and me in North Carolina, our contact has been limited to a few phone calls and emails. You try to keep in touch, but eventually it trickles off. It doesn’t worry me that much; there will always be time in Fred to catch up. “Me too,” I say as we turn left onto Main Street, but I’m not sure if glad is the word. The plazas and potholes are familiar but in a distant way, like an old t-shirt you haven’t worn in a while. You know you used to love it, but it just doesn’t seem to fit anymore.

“Oooh,” Alice says, turning up the volume on the CD player she has plugged into Fred’s cigarette lighter. “I love this song.” It’s “Such Great Heights” by the Postal Service. The bouncy electronic intro sounds a bit like video game music, and soon blends with a soft, mellow voice. I love it too; it’s the perfect combination of poetry and machinery.

Alice starts to sing along. I have to speculate that God himself did make us into corresponding shapes like puzzle pieces from afar. Her voice is light and raspy, and I have a feeling she doesn’t sing in front of just anybody.

“If you like the Postal Service you must love Death Cab,” I say.

“What? Who’s Death Cab?”

“Are you kidding me? You haven’t heard of Death Cab For Cutie?”

Alice shakes her head as we drive up the onramp of The 90. Elsewhere in the state it’s called I-90, but “the 90” is our own term of endearment. Most of our highways have names – The Scajacuada, The Youngman, The Skyway – and we like to put “the” in front of the numbered ones like The 90, The 190 and The 33. It gives them personality.

“The Postal Service is just the side project of the lead singer of Death Cab For Cutie,” I explain. “He’s from the East Coast and he collaborated with a guy on the West Coast. They sent each other tapes through the mail…hence the name.”

“Wow, that’s awesome.”

Everything looks perfect from far away…come down now, but we’ll stay

We come to my favorite spot on the 90, where there’s an old rail yard to the west. On a clear day, you can look past the rusty tracks overgrown with weeds and see the skyline of downtown Buffalo: a few tall silvery buildings, the HSBC tower, the dome atop the carved stone of City Hall. Usually I have to point it out to people, but Alice knows. Wordlessly, we both turn our heads to the right.

In a moment the skyline disappears behind a thick patch of pine trees. “Where are we going?” I ask.

“Umm…Amvets,” she decides as she answers.

“The one in South Buffalo?”

“Of course.” Alice has shopped extensively at all six Amvets thrift store locations in Western New York and concluded that the South Buffalo one has the best t-shirts. “So Delia,” she says.
“How was your semester? I mean, really?”

“Oh God, I don’t even know.”

“I remember an email or two about a boy…”

“Yeah.”

“Come on.” She runs her fingers through her cinnamon-colored hair; she’s said she doesn’t even know what her natural color is anymore. “I deserve more than a ‘yeah.’”

I pull at the seam of my jeans where it gapes around my left knee. “I loved the way he walked,” I say. “Like he was in a hurry, but he was happy about it.”

“And…”

“And it didn’t work out. I don’t know. I keep thinking about it, and I don’t really come up with anything. Now I just feel unhappy. How sad is that, that attention from a guy is what makes me happy? I’m an antifeminist or something.”

“You are not.”

“I’m not really anything.”

“Keep plugging along,” she says. “Don’t pretend to be happy, but keep plugging along.”

I take a deep breath and lean my head against the window. “That’s an important distinction.”

---

"There’s a lot of D.A.R.E. shirts,” I say, squeaking a hanger across a rack in the boys’ section of Amvets. Alice was right about their impressive selection.

“Yeah,” she says, not looking up. “I’ve got one of those. I wear it when I go out drinking.”

I smirk. I guess I should have kept all my old shirts since they’d be cool and “vintage” now. I had the classic black D.A.R.E. shirt, along with a medal from when I was chosen to read my essay at parents’ night. Drug Abuse Resistance Education…I wonder what I had written about. I hadn’t ever seen a drug back in fifth grade, but I’m sure that if Caleb Hart (freckles, blue eyes), the other essay winner, had offered me something, I would have taken it. Okay, maybe not. I think I had convictions then.

“Oooh, check this one out!” I exclaim. I pull out a purple t-shirt that says in cursive white letters, “You are Important…at East Aurora Middle School.”

Alice giggles with delight. “That’s amazing!”

“You can have it,” I say, handing her the hanger. I’m in one of those I-Know-I-Won’t-Like-Anything-I-Find moods.

Alice is about to go to the register and pay two bucks to be Important at East Aurora Middle School when we notice the display of ties. Most are striped but Alice picks up of a navy blue one with little red Buffaloes dotted across it.

“That’s adorable,” I say as she ties it around her hips. I’m beginning to have an appreciation for all things Buffalo, now that I don’t live here most of the year. There's something about this place; we all share this combination of regret and embarrassment and stubborn pride. Sure, our football team loses, our population decreases, and it snows a potential seven months out of the year. But it’s ours, and it’ll always be a part of us.

Alice nods in approval and gazes proudly across the racks of clothes and shelves of dirty appliances. “Today is a good day.”

---

Soon we’re back in Fred and cruising around the city. "Oh, I've missed these S-curves," Alice says wistfully as she maneuvers the boxy car around the turns beside Delaware Park.

“I miss the ocean,” I say.

“What?”

“I said, I miss the ocean. I’ve gotten used to being able to look over my shoulder and reassure myself that it’s there when I’m walking around campus.”

“Delia, we live next to one of the GREAT lakes.”

“Yeah, I know, but I never see it. I live a bunch of suburbs away. I might as well be in Oklahoma or something.”

“Psh. You don’t have to see it to know that it’s there.”

“Well, I do.”

“Well, fine. We’ll go visit good ol’ Erie."


Buffalo’s waterfront is a beautiful disappointment, the biggest unrealized potential in a city of unrealized potential. Alice and I walk along the edge, where the waves lap softly over the stones and seagulls caw overhead. It could be alive with people, lined with restaurants and quaint little shops, but there’s just an ice cream shack that’s closed for the winter. Cars rush behind us on The Skyway. We find a bench and stare into the endless grey-blue. “I also recall an email or two from you about a guy,” I say.

“Yeah,” she says, biting her lip. “You remember my friend Rachel from school?”

“Mmhmm.”

“The ‘guy’ is Rachel.”

Damn. Just like that. I shift my eyes slowly to hers and try not to look shocked. “Wow,” I murmur. For some reason all I can think of is the N'sync poster on her bedroom wall, and how I always thought Justin Timberlake wasn't really her type.

She nods. “She’s just so amazing, Delia. I haven’t met anybody like her. She makes me feel…alive.”

No “I’m gay,” no “So I think I might be bi.” There’s a girl named Rachel who makes her feel alive. This is why I love Alice. She lives for her ideals, and she does it in her own way. “I’m really
happy for you,” I say.

“Thank you. Sadly, my mom is not. Or at least I don’t think she is, since she hasn’t spoken to me for a week.”

“You told her?” I’m scared of Alice’s very Catholic mom on a normal basis, so I can’t even imagine what she’d be like after finding out her only daughter is gay, or at least not straight. I wonder how many rosary beads have felt the distress in her fingers.

“I didn’t mean to," she says. "I was talking about relationships and then I was talking about Rachel and she kinda figured it out.”

“Oh, man. How are you and Catholicism doing?”

“You know what, actually, we’re good.”

“Really?”

“Yeah. I had a long talk with one of the chaplins at school. I’ll still me, and I’m still Catholic. If anything, having Rachel makes me feel even closer to God.”

“I’m jealous of you,” I say. I can’t help it. I’ve been brought up Catholic and all I feel is guilty and cynical. “It’s like, the more I learn, the more relationships I’m in, the less I can believe. I guess I’m starting to see religion as something historical to be studied rather than something spiritual to be felt.”

“But the whole idea of religion is that you can always feel it.” She looks out across the choppy waves. “When I don’t have the lake, and I don’t have my mom, and when I don’t have someone like Rachel, I’ll always have God.”

“How do you know?”

“I just do.”




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Friday, October 2, 2009

Fan Friday: Ze Frank

I started following Ze Frank a few years ago when I lived in New York. With a combination of info, commentary and humor, he's a great vlogger who now does mostly political stuff for Time. I think what I love most about him is that he's got a very creative way of looking at things. A new lens. A voice. Whatev. Check him out!




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Thursday, October 1, 2009

Inside the Writers Room: TRUE BLOOD


Paley is presenting an Inside the Writers Room event with Alan Ball, Raelle Tucker, Alexander Woo, Nancy Oliver, Brian Buckner, Kate Barnow, and Elisabeth Finch on Weds, Oct 28 @ 7 pm. Click here for all the info!


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Can THE VAMPIRE DIARIES Keep Its Bite?

Check out my first post on TV.com!

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